Friday 25 May 2012

The Air

What is this dark and silent caravan
that being nowhere, neither comes nor goes;
that being never, has no hour or span;
of which we can say only that it flows?
How was it that this empty datastream,
this cache of dead light could so lose its way
it wandered back to feed on its own dream?
How did that dream grow to the waking day?
What is the sound that fades up from the hiss,
like a glass some random downdraught had set ringing,
now full of its only note, its lonely call,
drawing on its song to keep it singing?
When will the air stop breathing? Will it all
come to nothing, if nothing came to this?

Wednesday 16 May 2012

Animal Graves

The mower flipped it belly up,
a baby garter less than a foot long,
dull green with a single sharp

stripe of pale manila down its back,
same color as the underside
which was cut in two places,

a loop of intestine poking out.

It wouldn't live,
so I ran the blades over it again,

and cut it again but didn’t kill it,

and again and then again,
a cloud of two-cycle fuel smoke
on me like a swarm of bees.

It took so long
my mind had time to spiral
back to the graveyard

I tended as a child
for the dead ones, wild and tame:
fish from the bubbling green aquarium,

squirrels from the road,
the bluejay stalked to a raucous death
by Cicero the patient, the tireless hunter,

who himself was laid to rest
one August afternoon
under a rock painted gray, his color,

with a white splash for his white splash.

Once in the woods I found the skeleton
of a deer laid out like a diagram,

long spine curved like a necklace of crude, ochre spools
with the string rotted away,

and the dull metal shaft of the arrow
lying where it must have pierced

not the heart, not the head,
but the underbelly, the soft part
where the sex once was.

I carried home the skull
with its nubs of not-yet-horns
which the mice had overlooked,

and set it on a rock
in my kingdom of the dead.

Before I chopped the little snake
to bits of raw mosaic,

it drew itself
into an upward-straining coil,
head weaving, mouth open,

hissing at the noise that hurt it.

The stripe was made
of tiny paper diamonds,
sharp-edged but insubstantial,

like an x-ray of the spine
or the ghost beginning to pull away.

What taught the snake to make itself
seem bigger than it was,
to spend those last few seconds

dancing in the roar
and shadow of its death?

Now I see, though none exists,
its grave:

harebells withered in a jar,
a yellow spiral
painted on a green-black stone,

a ring of upright pine cones for a fence.
That’s how the deer skull lay in state

until one of the neighborhood dogs
came to claim it,

and carried it off to bury
in the larger graveyard of the world.